Sa’dia Rehman

May 6-27, 2017

Sa’dia Rehman, Bul Bul ka Bacha, A Rhyme, 2016, graphite, black spray paint and ink on paper, 48”x120”.

Sa’dia Rehman, Bul Bul ka Bacha, A Rhyme, 2016, graphite, black spray paint and ink on paper, 48”x120”.

Sa’dia Rehman’s multidisciplinary practice pulls from her collection of family photos, ritual objects, English and Urdu text. Rehman uses an array of mark-making techniques, stencils and collage to discuss the broader implications of language and perception as well as her experience growing up in a Muslim household in America, where being perceived as “other” foiled the familiarity of home. Rehman will also screen the video series Ethnographer/Photographer, documenting her interactions with passerby as she asks them to take a photo of her. The project is supported by a grant from the Global Mobility Project at Ohio State University, an Arts & Humanities Discovery Theme Pilot Project.

Rehman has shared her work at Urban Art Space (2017), Twelve Gates (2016), Center for Book Arts (2015), Local Projects (2014), Queens Museum (2012), Brooklyn Museum (2010), and Grey Noise (2008). She was selected for the Global Mobility grant (2017), Rasquache Residency in Puebla Mexico (2016), LMCC’s Artists Summer Institute (2011), AIM Bronx Museum (2008), and a residency at the National Gallery, Islamabad, Pakistan (2006). Her work has been featured in The New York Times, Harper’s, Art Papers, and ColorLines. She will have a solo show at Pearl Conard Gallery, Mansfield, OH in January 2018. Rehman received her MFA from Ohio State University (expected 2017); her MA in Art History at City College, CUNY (2006).

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